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[PDF] Prenota pieno Ebook gratis [PDF] The Madonnas of Leningrad: A Novel by Debra Dean (2007-02-19)- Download PDF




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The Madonnas of Leningrad: A Novel by Debra Dean (2007-02-19)

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  • Published on: 1825
  • Binding: Paperback

Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful.
5Art in times of war
By SusieH
The Madonnas of Leningrad (P.S.)Having recently visited St Petersburg (formerly Leningrad) and visited the stunning Hermitage Museum, I was intrigued to read this. In wartime all the paintings and many of the artefacts in the museum were packed up and stored in places of safety. The story is told from the viewpoint of Marina, a tour guide at the Hermitage, who helped to save the paintings. Some of the practicalities are fascinating: the paintings were stripped from their frames, and cross referenced then stored in size order. The empty frames were left on the walls to make it easier to return them to their rightful places later.As visitors continued to visit the Hermitage during the war, there were occasional guided tours around the empty frames, with such excellent descriptions of the missing pictures that the visitors felt they could see the pictures for themselvesFascinating, moving, a book I shall be happy to re-read.

6 of 6 people found the following review helpful.
4The 900 days, and of remembrance and forgetting...
By John P. Jones III
This novel pressed several "hot buttons" for me. There is first and foremost, the Hermitage, almost certainly the most impressive art museum in the world. The backdrop though is the horrific siege of Leningrad (the city's name has now reverted to his pre-revolutionary name, St. Petersburg), in which approximately one million of its citizens died during the 900 days in which it was encircled by German troops during the Second World War. Debra Dean weaves the essential Nabokov theme of memory and forgetting throughout the novel, executing it well at several different levels. It is as though the author's model were that unique Russian art form - the Matryoshka dolls; one memory, or the forgetting of same is nested inside the other. In this age of all too transient love, Dean also offers up a much more enduring version, between Marina and Dmitri, which runs to the limit of those allocated days on earth.Dean utilizes a now familiar literary technique of alternating chapters to tell the story, between the siege itself, and life today, in Washington State, as Marina succumbs to the devastating effects of Alzheimer's Disease, with the corresponding impact on her husband, Dmitri, as well as her now adult children. In addition, Dean utilizes "flashbacks" of only a paragraph, or even a sentence, within the present structure, and it reminded me of the same technique that Sartre used in his trilogy, "Roads to Freedom." This altering sense of time also worked well for me. And then there are the many ironic interplays of the theme of memory itself - certainly the fact that Marina is losing hers in the present, set against the truly heroic efforts that she and other museum workers made during the siege to remember the paintings themselves, after they had been evacuated from the city, and only the empty frames remained on the walls. There is one very powerful scene in which she is giving a tour of the museum to school children; she points at the empty frames, and describes the painting to the attentive children. It all rings authentic, and one cannot imagine such scenes today, with the dominance of Twitter and American Idol.But the novel is marred by the improbably. In fact, the series of coincidences, despite the many real tales of the unlikely that occur in wartime, verges, but does not cross the line, to the impossible. Again, I thought of those Matryoshka dolls. Sure, there can be that one extremely unlikely occurrence, but you open it, and there is another inside. And then another. Listing them all would be a "spoiler," so let's just state one: the chances of having a healthy baby when the rations of food are so sparse that half of the million who died did so of starvation are minuscule. And the novel really did not indicate any particular special rations that Marina received. In addition, the pregnancy itself pushed the outer envelop of biological time. All that, and the other improbable events are regrettable, since so much else, from the themes themselves, to the prose, works so very well.Finally, I share the author's enthusiasm for St. Petersburg in general and the Hermitage in particular. I would have appreciated some insight into how this phenomenal collection of art came to be housed in former Czarist property, and suspect that the "spoils of war" is a most likely explanation. I suspect Dean has a few more stories on the backburner; perhaps the accumulative process for the collection is one, or equally, there could be radically different stories. Shed the improbables, and the next will deserve the full 5-stars. While we await, the time would be will-spent in the Hermitage itself... and some, more than others, need to hurry, or we might forget what city we are in.(Note: Review first published at Amazon, USA, on April 12, 2010)

2 of 2 people found the following review helpful.
3The next best thing to visiting Russia
By Julia Flyte
It's 1941 and Marina is a guide at the Hermitage Museum in Leningrad (St Petersburg). The museum staff are frantically packing up all the museum's treasures and sending them away to keep them out of the hands of the advancing Germans. Throughout the siege of Leningrad, as the city freezes and starves, Marina and her family live huddled in the cellars of the Hermitage.If you've enjoyed books like Sarah's Key and Hotel on the Corner of Bitter and Sweet, you'll probably also enjoy this book which has a similar structure and is written in a similar style. It alternates between Marina's life in WW2 Leningrad and her life as a grandmother with Alzheimer's in present day Seattle. In her younger life, it is her imagination and memories that give her hope and keep her sane, but in her later life they are symptoms of the dementia that is taking over her brain.What I liked about this book was the way that it captured life in Leningrad at this time and the loving way that so many of the paintings are described. I enjoyed looking them up online and studying them in conjunction with Marina's descriptions. I was interested to read in the afterword that the author had never visited Russia when she wrote the book, but that she was relieved to find how accurately she had conveyed it when she did eventually visit. Many of the events in the book are based on real life events.So I enjoyed the book but I also feel a bit lukewarm about it. Ultimately the story isn't meaty enough. The romance could have been better developed, or her relationship with her children. It reads like a love letter to the Hermitage more than a compelling story in its own right.Another book that vividly brings the horrors of the siege to life is the wonderful City of Thieves.

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