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- Published on: 1656
- Binding: Paperback
Customer Reviews
Most Helpful Customer Reviews
26 of 28 people found the following review helpful.Disappointing
By lynsey adams
This book is well written and of good quality, which is what the two stars are for. In fact two stars may seem a bit mean, because the book does cover in some detail, many of the usual surface decoration techniques for ceramics.However, I like the books I buy to give me some kind of inspiration, in addition to technical knowhow. I like to admire the illustrations and think, wow, that looks wonderful, maybe I could try something similar.As I looked through the book, I became increasingly irritated to find that probably 90% of the illustrations are of work which was 'Wood fired to cone 12,(or even cone 13), 'Gas reduction fired to cone 10', 'gas/salt/soda fired to cone 10/12'. There is little that would be accessible or achievable for the middle of the road ceramic artist who is very likely to be using an electric kiln, and virtually nothing for those who low-fire from choice or necessity.By all means include wood fired, gas reduction and high fired work, but surely an across the board balance would be better. It is very frustrating to see so many illustrations showing results which for most of us cannot be achieved. In addition, I doubt very much if those ceramic artists who are experienced in wood, gas reduction, salt or soda firing, would have much use for a book on basic surface decoration techniques.There is a small section on raku - where the author was obliged to stoop to showing low fired work, and a further small section on naked raku/smoke firing, but other books such as 'Raku' by Tim Andrews, and 'Smoke Firing' by Jane Perryman, (both second editions) are streets ahead in every sense, and are highly recommended.There is a good deal of information in this book on the usual range of surface pattern techniques, but in my opinion, still the best by far in terms of content, variety, accessibility and inspiriation, is ' The Potter's Guide to Ceramic Surfaces' by Jo Connell.
2 of 2 people found the following review helpful.Do not address issues of design, but gives outlines on several basic techniques.
By Lisa Young
This book is mostly for hobbists who like to make pots rather than objects in clay. Although the techniques described are adaptable to other forms they are mainly demonstrated on rather dull pots. But that is nt to say that the images are dull, the photography and colour are very good, as is the layout and quality of the paper.The three star rating is based on the fact that although there many techniues described the actual information is quite short.It does not go into the use of the surface treatments in terms of design. I bought the book because I was interested what approach would be taked to describe how to compose interesting surfaces with old, new and layered techniques.For someone just beginning to make pots this book is sufficient as a starting point as it gives an overview of the many techniques, but it isjust one of many such books. If someone hasThe Complete Potter then this book is not necessary.
1 of 1 people found the following review helpful.Ceramic Techniques
By Moodle Doodle
I have recently borrowed this book from my university library and loved it so much I have just ordered it. It is full of great ideas to create really individual pieces of ceramic ware. As a student I am lucky to have access to gas and electric kilns. I understand this book to be about techniques rather than a gospel on particular temperature firing. I thought that most clays can be fired at all temperatures. I guess it depends on the look you want.This book has given me loads of ideas, through the clear instructions and photos, to further my understanding of clay and slipware. I can't wait to try the marbling and inlaying with different clays and slips. Great book, highly recommended.
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